By Nelson Santana
January 22, 2026
Lea en español: Dalvin La Melodía defiende a su esposa y responde a críticas en concierto en Los Alcarrizos
Santo Domingo, DR — While Dominican entertainment culture often privileges scandal over substance, bachata singer Dalvin Núñez, known as Dalvin La Melodía, trended for something unusual: publicly defending his wife and rejecting criticism rooted in prejudice and superficiality.
What happened
Dalvin responded to disparaging comments about his wife on social media
The response took place during a concert in Los Alcarrizos
He affirmed the shared history that predates his success
The audience celebrated a message of loyalty
The episode strengthens his image amid a rising career
It began when Dalvin arrived hand in hand with his wife at a public event. Within hours, social media users suggested that, given his level of popularity, he “could be with any woman.” The remark echoed a recurring narrative in show business: that success nullifies bonds forged before fame.
Rather than ignore it, Dalvin addressed it from the stage. During a concert in Los Alcarrizos—where bachata remains everyday music—he invited his wife onstage and delivered remarks that quickly went viral.
“When it was sometimes noon and the pot hadn’t even been washed to make rice, the one who was with me was her. It’s very easy to say ‘yes now,’ but this was a process we lived together. I dedicate this song to my wife for being there in good times and bad,” he said.
The message resonated immediately. The unmade rice, the long midday, the shared hardship—simple images that, in the Dominican context, speak louder than grand gestures. In a country where many artistic projects are born under adverse conditions, the idea of a shared “process” carries real symbolic weight.
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On social media, the gesture was widely celebrated. Users highlighted his humility, maturity, and fidelity, noting that Dalvini neither disowned his history nor the person who stood beside him before the spotlight. For many, it was a quiet rebuttal to the “replacement” logic that dominates entertainment culture.
Dalvin La Melodía is now among the most visible figures in Dominican bachata. Songs like “Mi Reina” and his rendition of “Chiquilla Bonita”—originally a hit by Marco Antonio Solís—have connected him with a broad audience. The year 2025 is shaping up to be decisive in his career, not only in numbers, but in building a public identity consistent with his lyrics.
In a genre historically tied to tested love and loyalty under strain, Dalvin chose to live—and show—what he sings. In an age of digital noise, that still makes news.
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